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Chris Glassman

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  1. 1
    Belley's Bounce 6:13
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NEW RELEASE: LIVING THE DREAM

Living the Dream by Chris Glassman

Living the Dream

Chris Glassman

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Following up on 2020's co-led release "Realization" with Altin Sencalar, "Living the Dream" is Chris Glassman's Solo Debut, featuring an All-Star lineup including Rodney Whitaker, Ulysses Owens Jr., Bill Cunliffe Jr., Sharel Cassity, and special guest and legendary trombonist Steve Davis.

Experiences as a child can often seem like a dream. Some

Following up on 2020's co-led release "Realization" with Altin Sencalar, "Living the Dream" is Chris Glassman's Solo Debut, featuring an All-Star lineup including Rodney Whitaker, Ulysses Owens Jr., Bill Cunliffe Jr., Sharel Cassity, and special guest and legendary trombonist Steve Davis.

Experiences as a child can often seem like a dream. Some can slip away as fast as they happen, while others can stay with you, or even haunt you, for years. This album portrays the dream-like, stream-of-consciousness-like life of a child. Each song is also specifically tied to a key memory of my youth.

Track Order and Details: Animosity - 6:12 - Original Composition, arranged by Bill Cunliffe Blue Spaces - 6:42 - Comp/Arr: Bill Cunliffe Belley’s Bounce - 6:14 - Original Comp, Arr: Bill Cunliffe Twister - 7:32 - Original Comp, Arr: Bill Cunliffe Blossom - 5:19 - Original Comp, Arr: Bill Cunliffe Climbing Over Mountains - 5:39 - Comp/Arr: Bill Cunliffe Abena’s Gaze - 6:28 - Comp/Arr: Steve Davis Resolve - 5:50 - Comp: Sharel Cassity Arr: Sharel Cassity/Bill Cunliffe Lush Life - 4:26 - Comp: Billy Strayhorn Pencils Down - 5:22 - Original Comp, Arr: Bill Cunliffe

Personnel: Alto, Tenor, Baritone Saxophone, Flute, and Featured Composer: Sharel Cassity Piano, Fender Rhodes, Featured Composer/Arranger: Bill Cunliffe Bass: Rodney Whitaker Drums: Ulysses Owens Jr. Guest Trombonist and Composer: Steve Davis

Production: Produced by: Michael Dease Audio Production by: Jim Alfredson and Nathan Borton Recorded at Troubadour Studios in East Lansing by: Corey DeRushia

Read more…
0:00/???
  1. 1
    Animosity 6:11
    0:00/6:11
  2. 2
    Blue Spaces 6:41
    0:00/6:41
  3. 3
    Belly's Bounce 6:13
    0:00/6:13
  4. 4
    Twister 7:32
    0:00/7:32
  5. 5
    Blossom 5:18
    0:00/5:18
  6. 6
    Climbing Over Mountains 5:39
    0:00/5:39
  7. 7
    Abena's Gaze 6:28
    0:00/6:28
  8. 8
    Resolve 5:49
    0:00/5:49
  9. 9
    Lush Life 4:26
    0:00/4:26
  10. 10
    Pencils Down 5:22
    0:00/5:22

Physical Albums

Living the Dream: CD
  • Living the Dream: CD

Living the Dream: CD

Includes a download of the album Living the Dream
In cart Not available Out of stock
$20.00

PRE-ORDERS BEGIN SHIPPING OCTOBER 7TH

Following up on 2020's release of "Realization" with Altin Sencalar, Chris Glassman premieres his solo debut "Living the Dream," featuring an all-star line-up: Ulysses Owens Jr., Sharel Cassity, Rodney Whitaker, Bill Cunliffe Jr., and master trombonist Steve Davis.

Experiences as a child can often seem like a dream. Some can slip away as fast as they happen, while others can stay with you, or even haunt you, for years. This album portrays the dream-like, stream-of-consciousness-like life of a child. Each song is also specifically tied to a core memory of Glassman's youth and the emotions that come with them.

Track Order and Details: Animosity - 6:12 (Original Composition, arranged by Bill Cunliffe) | Blue Spaces - 6:42 (Comp/Arr: Bill Cunliffe) | Belley’s Bounce - 6:14 (Original Comp, Arr: Bill Cunliffe) | Twister - 7:32 (Original Comp, Arr: Bill Cunliffe) | Blossom - 5:19 (Original Comp, Arr: Bill Cunliffe) | Climbing Over Mountains - 5:39 (Comp/Arr: Bill Cunliffe) | Abena’s Gaze - 6:28 (Comp/Arr: Steve Davis) | Resolve - 5:50 (Comp: Sharel Cassity, Arr: Sharel Cassity/Bill Cunliffe) | Lush Life - 4:26 (Comp: Billy Strayhorn) | Pencils Down - 5:22 (Original Comp, Arr: Bill Cunliffe)

Personnel: Sharel Cassity: Alto, Tenor, Baritone Saxophone, Flute, and Featured Composer | Fender Rhodes: Piano | Bill Cunliffe, Featured Composer/Arranger | Rodney Whitaker: Bass | Ulysses Owens Jr.: Drums | Steve Davis: Guest Trombonist and Composer

Produced by Michael Dease | Audio Production by Jim Alfredson and Nathan Borton | Recorded at Troubadour Studios in East Lansing by Corey DeRushia | Album Design by Jessica Cowles

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Realization: CD
  • Realization: CD

Realization: CD

Includes a download of the album Realization
Includes a download of Realization
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Digital Albums

Realization by Sencalar/Glassman Quintet

Realization

Sencalar/Glassman Quintet

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released January 17, 2020

Altin Sencalar- Trombone Chris Glassman- Bass Trombone Nathan Borton- Guitar Addison Frei- Piano Rodney Whitaker- Bass Zach Adelman- Drums Michael Dease- Producer, Guest Artist

In jazz or any music for that matter, there’s nothing quite like low brass. And within that family, there’s nothing like the trombone — warm and

released January 17, 2020

Altin Sencalar- Trombone Chris Glassman- Bass Trombone Nathan Borton- Guitar Addison Frei- Piano Rodney Whitaker- Bass Zach Adelman- Drums Michael Dease- Producer, Guest Artist

In jazz or any music for that matter, there’s nothing quite like low brass. And within that family, there’s nothing like the trombone — warm and lyrical as a cello, yet able to swing hard and stand out in any ensemble, summoning the widest range of emotion and expression. Altin Sencalar and Chris Glassman, with their co-led debut Realization, have found their own way of showcasing the instrument to its fullest sonic potential: combining the tenor trombone (Sencalar) and bass trombone (Glassman) in one frontline unit.

Of course, they are continuing in the footsteps of dual-trombone bands most famously represented by J.J. Johnson and Kai Winding (also Conrad Herwig and Steve Davis, Wycliffe Gordon and Andre Hayward, Jim Pugh and Dave Taylor, Mike Davis and Bill Reichenbach and other memorable pairings). Yet the swinging, harmonically savvy arrangements heard on Realization brim with the confidence of young musicians putting their own stamp on a lineage they treasure.

“The trombone is thought by many to be the closest horn to the human voice,” says Glassman, “and we liken the two-trombone sound to a vocal duet.” What’s more, bass trombone captures the best of both worlds, Glassman continues: “You can play with a singing and warm upper register and then when the need arises you can lay out the heavy artillery in the lower register. I know it’s a very unusual solo instrument and only a handful of jazz players really improvise on it — Max Seigel, Bill Reichenbach, Reggie Chapman, Gina Benalcazar, Jeff Nelson and Jennifer Wharton come to mind. I like that sort of ‘uncharted territory’ aspect of it.”

Sencalar and Glassman hail from Texas and Colorado, respectively. They spent their undergrad years in their home states before meeting in 2017 as graduate assistants at Michigan State University. There in East Lansing they studied under Michael Dease, easily one of the top trombone virtuosos of our time, and bassist Rodney Whitaker, MSU’s Director of Jazz Studies, “truthfully the most swinging cat since Paul Chambers,” Sencalar contends. “He plays exactly how everyone’s dream bass player would play, and it really cemented the whole project together.” Under these great professor-colleagues, Sencalar and Glassman came into their own as artists, and that’s what Realization truly means: “This album is centered around growth, evolution and the good and bad that go along with it. It’s a culmination of two years and it reflects the challenges, triumphs and cathartic moments one experiences during extended periods of being ‘at the grindstone.’”

Co-producer Dease, “the brains behind the session” according to Glassman, is featured to great effect on the opening Glassman original “D Is for Dastardly.” On this tune the co-leaders take inspiration from Art Blakey’s shuffle feel in “Down Under” (an implicit shout-out to Curtis Fuller, perhaps); from the form of Wes Montgomery’s “Unit Six”; and from the kind of stop-time handclapping heard in Christian McBride’s “Used ’Ta Could” (not to mention Mingus’s “Better Git It in Your Soul”). Glassman and Sencalar also tackle what Dease calls his hardest tune, “The Big D,” a darting line on rhythm changes that originally appeared on Dease’s 2015 record Decisions. The melody voiced starkly in octaves by the bones, the cascading chord substitutions navigated by the soloists on some of the A sections, the inspired round of fours to bring it home: there’s something cathartic about nailing a technical achievement like “The Big D,” and in such a relaxed, unperturbed fashion at that.

But to be clear, this is not an album of wall-to-wall trombone straight through. Guitarist Nathan Borton (on six tracks) and pianist Addison Frei each get prominent solo room and function seamlessly together within the arrangements. Borton is Sencalar and Glassman’s MSU classmate and close confidant, “a highly underrated guitarist,” Glassman says, “whose dizzying lines and comfortable time feel fit the group so well. He rolls with the punches whether it’s functioning as a horn, or the only comping instrument, or in tandem with piano.” “We are truly spoiled by this band,” Sencalar chimes in. “We felt like we were dreaming. We were absolutely dumbfounded by Addison, both his playing and his easygoing personality. And working with [drummer] Zach Adleman just feels like home — his feel is great, he’s very creative and knows the tunes supremely well.”

One of those tunes, “The Maze” from Herbie Hancock’s 1962 debut Takin’ Off, is a double homage — not only to Hancock but also modern trombone great Steve Davis, whose arrangement on his 2006 release Update proved an inspiration to the co-leaders. “‘The Maze’ seeks to portray the unknown” says Glassman, “and it highlights the confusion and searching one must do when coming of age.” Tenor saxophonist and friend Jason Hainsworth arranged “Short Cake,” from the 1967 classic The Total J.J. Johnson, as a showcase for the two co-leaders and the kinds of harmonized, contrapuntal and call-and-response textures they can create (with a fine Whitaker bass solo as well). Coltrane’s “Impressions,” in Addison Frei’s vibrant arrangement, brings alternate Tyner-esque harmonies and complex written figures into play, setting up bracing solos from Glassman, Borton, Frei and finally Sencalar on the open-vamp outro. And the standard “Nobody Else But Me,” arranged by guitarist, MSU teaching colleague and band friend Randy Napoleon, extends the album’s coming-of-age theme: it’s about “discovering and exploring the authentic self,” Sencalar offers, “and we both desire to be nobody else but ourselves.”

Sencalar’s three originals are finely sculpted, steeped in idiomatic knowledge. “In Your Own Head” is intricate and elegant in a bossa feel, with a shift to samba toward the end that represents the ceaseless rush of thoughts in a person’s mind. The tune also tries to capture “the second-guessing and insecurities that some might go through during periods of growth.” “What Was Good Is Good,” titled after a favorite saying by Jimmy Heath, is tight and swinging bebop based on “Confirmation,” with a reharmonized bridge and a surprising duo breakdown at the start of Glassman’s solo, following Sencalar’s two exemplary choruses. And “When Reality Sets In,” a relaxed bolero in acknowledgement of Sencalar’s Latin roots, finds the trombones in full legato glory. The shifting minor/major sonorities suggest “an opportunity to see hope through a trying time,” says the composer.

Glassman, in addition to the leadoff track, contributes the easygoing “It’s No Wonder,” which finds bass trombone voicing the melody up high before dropping down to harmonize with Sencalar’s radiant tenor. The tune is “about heredity, and how it’s no wonder we are who we are,” Glassman says. Specifically, he wrote it for his supportive parents, making use of one of their favorite sounds — the kinds of secondary dominants and passing diminished chords favored by Stevie Wonder.

Finally, Glassman’s “Realization,” the closing title track, is arranged by baritone saxophonist Joseph Herbst, an MSU classmate now based in Asheville, North Carolina. The tune has a dark and knotty quality but a classic vibe somewhat reminiscent of Horace Silver and Gigi Gryce. Don’t miss Glassman’s striking entrance after the richly voiced head (as if anyone could miss it). This is “the most extensive and through-composed arrangement” of the set, Glassman notes, and it “deals with the disquieting and uncomfortable moments before a moment of revelation. It’s inspired by Dizzy Gillespie’s ‘Con Alma’ and the standard ‘Softly as in a Morning Sunrise,’ and the harmonically uncertain bridge tries to capture how change can truly make or break someone.”

Whatever challenges music and life have thrown in the path of Sencalar and Glassman, Realization makes it plain that they have risen to the occasion and responded well indeed. Sought after as sidemen with the likes of Christian McBride, Slide Hampton, Etienne Charles and Ulysses Owens, they’ve been bringing their group out for festival appearances as well as educational initiatives like their “Welcome Home Tour” through East Lansing’s elementary schools, working to spread the values of jazz education. It’s never too early in one’s career to give back, and that spirit of generosity and budding wisdom comes through on Realization, first note to last.

— David R. Adler

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0:00/???
  1. 1
    D is For Dastardly 8:31
    0:00/8:31
  2. 2
    In Your Own Head 5:53
    0:00/5:53
  3. 3
    Impressions 5:43
    0:00/5:43
  4. 4
    When Reality Sets In 5:19
    0:00/5:19
  5. 5
    Nobody Else But Me 5:21
    0:00/5:21
  6. 6
    It's No Wonder 7:35
    0:00/7:35
  7. 7
    What Was Good Is Good 4:59
    0:00/4:59
  8. 8
    The Maze 5:33
    0:00/5:33
  9. 9
    The Big D 6:11
    0:00/6:11
  10. 10
    Shortcake 5:26
    0:00/5:26
  11. 11
    Realization 5:45
    0:00/5:45
Living the Dream: CD
  • Living the Dream: CD

Living the Dream: CD

Includes a download of the album Living the Dream
In cart Not available Out of stock
$20.00

PRE-ORDERS BEGIN SHIPPING OCTOBER 7TH

Following up on 2020's release of "Realization" with Altin Sencalar, Chris Glassman premieres his solo debut "Living the Dream," featuring an all-star line-up: Ulysses Owens Jr., Sharel Cassity, Rodney Whitaker, Bill Cunliffe Jr., and master trombonist Steve Davis.

Experiences as a child can often seem like a

PRE-ORDERS BEGIN SHIPPING OCTOBER 7TH

Following up on 2020's release of "Realization" with Altin Sencalar, Chris Glassman premieres his solo debut "Living the Dream," featuring an all-star line-up: Ulysses Owens Jr., Sharel Cassity, Rodney Whitaker, Bill Cunliffe Jr., and master trombonist Steve Davis.

Experiences as a child can often seem like a dream. Some can slip away as fast as they happen, while others can stay with you, or even haunt you, for years. This album portrays the dream-like, stream-of-consciousness-like life of a child. Each song is also specifically tied to a core memory of Glassman's youth and the emotions that come with them.

Track Order and Details: Animosity - 6:12 (Original Composition, arranged by Bill Cunliffe) | Blue Spaces - 6:42 (Comp/Arr: Bill Cunliffe) | Belley’s Bounce - 6:14 (Original Comp, Arr: Bill Cunliffe) | Twister - 7:32 (Original Comp, Arr: Bill Cunliffe) | Blossom - 5:19 (Original Comp, Arr: Bill Cunliffe) | Climbing Over Mountains - 5:39 (Comp/Arr: Bill Cunliffe) | Abena’s Gaze - 6:28 (Comp/Arr: Steve Davis) | Resolve - 5:50 (Comp: Sharel Cassity, Arr: Sharel Cassity/Bill Cunliffe) | Lush Life - 4:26 (Comp: Billy Strayhorn) | Pencils Down - 5:22 (Original Comp, Arr: Bill Cunliffe)

Personnel: Sharel Cassity: Alto, Tenor, Baritone Saxophone, Flute, and Featured Composer | Fender Rhodes: Piano | Bill Cunliffe, Featured Composer/Arranger | Rodney Whitaker: Bass | Ulysses Owens Jr.: Drums | Steve Davis: Guest Trombonist and Composer

Produced by Michael Dease | Audio Production by Jim Alfredson and Nathan Borton | Recorded at Troubadour Studios in East Lansing by Corey DeRushia | Album Design by Jessica Cowles

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Living the Dream by Chris Glassman

Living the Dream

Chris Glassman

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CD Download

In cart Not available Out of stock

Following up on 2020's co-led release "Realization" with Altin Sencalar, "Living the Dream" is Chris Glassman's Solo Debut, featuring an All-Star lineup including Rodney Whitaker, Ulysses Owens Jr., Bill Cunliffe Jr., Sharel Cassity, and special guest and legendary trombonist Steve Davis.

Experiences as a child can often seem like a dream. Some

Following up on 2020's co-led release "Realization" with Altin Sencalar, "Living the Dream" is Chris Glassman's Solo Debut, featuring an All-Star lineup including Rodney Whitaker, Ulysses Owens Jr., Bill Cunliffe Jr., Sharel Cassity, and special guest and legendary trombonist Steve Davis.

Experiences as a child can often seem like a dream. Some can slip away as fast as they happen, while others can stay with you, or even haunt you, for years. This album portrays the dream-like, stream-of-consciousness-like life of a child. Each song is also specifically tied to a key memory of my youth.

Track Order and Details: Animosity - 6:12 - Original Composition, arranged by Bill Cunliffe Blue Spaces - 6:42 - Comp/Arr: Bill Cunliffe Belley’s Bounce - 6:14 - Original Comp, Arr: Bill Cunliffe Twister - 7:32 - Original Comp, Arr: Bill Cunliffe Blossom - 5:19 - Original Comp, Arr: Bill Cunliffe Climbing Over Mountains - 5:39 - Comp/Arr: Bill Cunliffe Abena’s Gaze - 6:28 - Comp/Arr: Steve Davis Resolve - 5:50 - Comp: Sharel Cassity Arr: Sharel Cassity/Bill Cunliffe Lush Life - 4:26 - Comp: Billy Strayhorn Pencils Down - 5:22 - Original Comp, Arr: Bill Cunliffe

Personnel: Alto, Tenor, Baritone Saxophone, Flute, and Featured Composer: Sharel Cassity Piano, Fender Rhodes, Featured Composer/Arranger: Bill Cunliffe Bass: Rodney Whitaker Drums: Ulysses Owens Jr. Guest Trombonist and Composer: Steve Davis

Production: Produced by: Michael Dease Audio Production by: Jim Alfredson and Nathan Borton Recorded at Troubadour Studios in East Lansing by: Corey DeRushia

Read more…
0:00/???
  1. 1
    Animosity 6:11
    0:00/6:11
  2. 2
    Blue Spaces 6:41
    0:00/6:41
  3. 3
    Belly's Bounce 6:13
    0:00/6:13
  4. 4
    Twister 7:32
    0:00/7:32
  5. 5
    Blossom 5:18
    0:00/5:18
  6. 6
    Climbing Over Mountains 5:39
    0:00/5:39
  7. 7
    Abena's Gaze 6:28
    0:00/6:28
  8. 8
    Resolve 5:49
    0:00/5:49
  9. 9
    Lush Life 4:26
    0:00/4:26
  10. 10
    Pencils Down 5:22
    0:00/5:22

Leadsheets

D is For Dastardly Lead Sheet
Sale
  • D is For Dastardly Lead Sheet

D is For Dastardly Lead Sheet

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$10.00 Save 50.0%!
$5.00

Here's a Lead Sheet for my Original From "Realization"

Recording: https://www.youtube.com/watch?v=oEr7w9uXZoA&list=OLAK5uy_lybqKhv_pckJA4Xmmr5IyGzcXPbsPIDaU&index=1

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It's No Wonder Lead Sheet
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  • It's No Wonder Lead Sheet

It's No Wonder Lead Sheet

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Here's a Lead Sheet for It's No Wonder from Realization

Recording: https://www.youtube.com/watch?v=WLP4_UdNDso&list=OLAK5uy_lybqKhv_pckJA4Xmmr5IyGzcXPbsPIDaU&index=6

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Realization Lead Sheet
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  • Realization Lead Sheet

Realization Lead Sheet

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Here's the lead sheet of the Title Track of Realization

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Arrangements

Tin Tin Deo - Octet Arrangement
  • Tin Tin Deo - Octet Arrangement

Tin Tin Deo - Octet Arrangement

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This is my arrangement of the tune Tin Tin Deo for Octet.

Instrumentation: Trumpet in Bb Alto Saxophone Tenor Saxophone Trombone Baritone Saxophone Guitar Piano Drum Set String Bass

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Milestones (Old) - Octet Arrangement
  • Milestones (Old) - Octet Arrangement

Milestones (Old) - Octet Arrangement

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This is my arrangement of the tune Milestones (Old) for Octet.

Instrumentation: Trumpet in Bb Alto Saxophone Tenor Saxophone Trombone Baritone Saxophone Guitar Piano Drum Set String Bass

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Don't Get Sassy - Octet Arrangement
  • Don't Get Sassy - Octet Arrangement

Don't Get Sassy - Octet Arrangement

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This is my arrangement of the tune Don't Get Sassy for Octet.

Instrumentation: Trumpet in Bb Alto Saxophone Tenor Saxophone Trombone Baritone Saxophone Guitar Piano Drum Set String Bass

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Dos Gardenias - Octet Arrangement
  • Dos Gardenias - Octet Arrangement

Dos Gardenias - Octet Arrangement

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This is my arrangement of the tune Dos Gardenias for Octet.

Instrumentation: Trumpet in Bb Alto Saxophone Tenor Saxophone Trombone Baritone Saxophone Guitar Piano Drum Set String Bass

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Someday My Prince Will Come - Octet Arrangement
  • Someday My Prince Will Come - Octet Arrangement

Someday My Prince Will Come - Octet Arrangement

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This is my arrangement of the tune Someday My Prince Will Come for Octet.

Instrumentation: Trumpet in Bb Alto Saxophone Tenor Saxophone Trombone Baritone Saxophone Guitar Piano Drum Set String Bass

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Autumn Leaves - Octet Arrangement
  • Autumn Leaves - Octet Arrangement

Autumn Leaves - Octet Arrangement

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This is my arrangement of the tune Autumn Leaves for Octet.

Instrumentation: Trumpet in Bb Alto Saxophone Tenor Saxophone Trombone Baritone Saxophone Guitar Piano Drum Set String Bass

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Maria (from West Side Story) - Octet Arrangement
  • Maria (from West Side Story) - Octet Arrangement

Maria (from West Side Story) - Octet Arrangement

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This is my arrangement of the tune Maria (from West Side Story) for Octet.

Instrumentation: Trumpet in Bb Alto Saxophone Tenor Saxophone Trombone Baritone Saxophone Guitar Piano Drum Set String Bass

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Stardust Arrangement from "Solitude Sessions"
  • Stardust Arrangement from "Solitude Sessions"

Stardust Arrangement from "Solitude Sessions"

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This is my version of Stardust from our EP "Solitude Sessions", written for:

Tenor Trombone Bass Trombone Rhythm Section Chart

Recording: https://www.youtube.com/watch?v=3HGTPNrqY-o

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Each Step Arrangement from "Solitude Sessions"
  • Each Step Arrangement from "Solitude Sessions"

Each Step Arrangement from "Solitude Sessions"

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This is our ensemble's arrangement of Nathan Borton's original "Each Step" Written for: Tenor Trombone Bass Trombone Guitar Piano Bass Drums

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Bolivia Arrangement from Solitude Sessions
  • Bolivia Arrangement from Solitude Sessions

Bolivia Arrangement from Solitude Sessions

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This is Altin Sencalar's Arrangement of the tune Bolivia from The Solitude Sessions This includes: Tenor Trombone Bass Trombone Piano Guitar Bass Drums

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D is for Dastardly Arrangement from "Realization"
  • D is for Dastardly Arrangement from "Realization"

D is for Dastardly Arrangement from "Realization"

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Here's the version of "D is For Dastardly" my original, from the Sencalar Glassman Quintet album "Realization". The instrumentation is:

Two Tenor Trombones Bass Trombone Guitar Bass Piano Drums

Recording: https://www.youtube.com/watch?v=oEr7w9uXZoA&list=OLAK5uy_lybqKhv_pckJA4Xmmr5IyGzcXPbsPIDaU&index=1

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Realization Big Band Arrangement
  • Realization Big Band Arrangement

Realization Big Band Arrangement

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This is my arrangement of my original "Realization" for big band, in the instrumentation below: Solo Bass Trombone 2 Alto Saxophones 2 Tenor Saxophones 1 Baritone Saxophone 4 Trumpets 3 Tenor Trombones Piano Bass Drums Guitar

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What Was Good Is Good Arrangement from "Realization"
  • What Was Good Is Good Arrangement from "Realization"

What Was Good Is Good Arrangement from "Realization"

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Here's Altin Sencalar's original "What Was Good is Good" arranged like the album! This is for: Tenor Trombone Bass Trombone Guitar/Piano Bass Drums

Recording: https://www.youtube.com/watch?v=Bb19_5q-d00

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When Reality Sets In Arrangement from Realization
  • When Reality Sets In Arrangement from Realization

When Reality Sets In Arrangement from Realization

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This is Altin Sencalar's Original, arranged like our debut record "Realization" Includes: Tenor Trombone Bass Trombone Rhythm Section Chart

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Realization Album Arrangement
  • Realization Album Arrangement

Realization Album Arrangement

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Here is Joseph Herbst's arrangement featured as the title track of "Realization" This includes: Tenor Trombone Bass Trombone Piano Guitar Bass Drum Set

Recording: https://www.youtube.com/watch?v=u79_cZe4y7Y&list=OLAK5uy_lybqKhv_pckJA4Xmmr5IyGzcXPbsPIDaU&index=11

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Christmas Arrangements

Sleigh Ride Trombone Quartet
  • Sleigh Ride Trombone Quartet

Sleigh Ride Trombone Quartet

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Here's my arrangement of Sleigh Ride for Trombone Quartet: 3 Tenor Trombones 1 Bass Trombone

Recording: https://www.youtube.com/watch?v=RYfWeb65zaA

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White Christmas Trombone Quintet
  • White Christmas Trombone Quintet

White Christmas Trombone Quintet

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This is my arrangement of the Christmas classic for 5 trombones: 3 Tenor Trombones 2 Bass Trombones

Recording: https://www.youtube.com/watch?v=kSruSoy4ZXM

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Jingle Bell Rock Trombone Quartet
  • Jingle Bell Rock Trombone Quartet

Jingle Bell Rock Trombone Quartet

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$20.00

Here's my arrangement of Jingle Bell Rock for Trombone Quartet: 3 Tenor Trombones 1 Bass Trombone

Recording: https://www.youtube.com/watch?v=a_KaGClSCpA

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Hark the Herald Trombone Octet
  • Hark the Herald Trombone Octet

Hark the Herald Trombone Octet

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$25.00

Here's my version of the traditional song "Hark the Herald Angels Sing" for Trombone Octet: 6 Tenor Trombones 2 Bass Trombones

Recording: https://www.youtube.com/watch?v=v-Ms3MCjmYM

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Away in a Manger Trombone Quartet
  • Away in a Manger Trombone Quartet

Away in a Manger Trombone Quartet

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Here is my short arrangement of Away in a Manger for: 3 Tenor Trombones 1 Bass Trombone

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Charlie Parker's Solo on Cherokee for Bass Trombone
  • Charlie Parker's Solo on Cherokee for Bass Trombone

Charlie Parker's Solo on Cherokee for Bass Trombone

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This 1942 solo made jazz history as one of the all time great bebop solos. This transcription includes all valve indications for F/Gb/D independent bass trombone, so feel free to give it a try!

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Coffee Pot Free Transcription for Bass Trombone
  • Coffee Pot Free Transcription for Bass Trombone

Coffee Pot Free Transcription for Bass Trombone

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This transcription is adapted for Independent Bass Trombone!

Play along Below! https://www.youtube.com/watch?v=2pa6RFV8csA

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Coffee Pot Transcription for Tenor Trombone
  • Coffee Pot Transcription for Tenor Trombone

Coffee Pot Transcription for Tenor Trombone

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This is the great solo on Coffee Pot at pitch!

Play along below: https://www.youtube.com/watch?v=2pa6RFV8csA

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Curtis Fuller, Autumn Leaves, Transcription for Bass Trombone
  • Curtis Fuller, Autumn Leaves, Transcription for Bass Trombone

Curtis Fuller, Autumn Leaves, Transcription for Bass Trombone

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This is Curtis Fuller's great solo on Autumn Leaves for Bass Trombone

Play along below: https://www.youtube.com/watch?v=Tt2BHSjqAnw

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Steve Davis on Have you Met Miss Jones for Bass Trombone
  • Steve Davis on Have you Met Miss Jones for Bass Trombone

Steve Davis on Have you Met Miss Jones for Bass Trombone

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Here's Steve Davis's amazing solo from Eloquence, adapted for Bass Trombone.

Play along below: https://www.youtube.com/watch?v=XxjexOJd414

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Steve Davis on Love Walked in for Bass Trombone
  • Steve Davis on Love Walked in for Bass Trombone

Steve Davis on Love Walked in for Bass Trombone

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Here's Steve Davis's sensational solo from Smalls live adapted for Bass Trombone

Play along below: https://www.youtube.com/watch?v=qUDTdcuHm6U

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Steve Davis on Love Walked in for Tenor Trombone
  • Steve Davis on Love Walked in for Tenor Trombone

Steve Davis on Love Walked in for Tenor Trombone

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Here's Steve Davis's sensational solo from Smalls Live, written at pitch!

Play along below! https://www.youtube.com/watch?v=qUDTdcuHm6U

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JJ Johnson Misterioso for Bass Trombone
  • JJ Johnson Misterioso for Bass Trombone

JJ Johnson Misterioso for Bass Trombone

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Here's JJ Johnson's Solo on Misterioso adapted for Bass Trombone!

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Away in a Manger Trombone Quartet
  • Away in a Manger Trombone Quartet

Away in a Manger Trombone Quartet

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Here is my short arrangement of Away in a Manger for: 3 Tenor Trombones 1 Bass Trombone

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